SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Back in the Tiki Days

A boy stands in the holding pen
of Disneyland's Tiki Room, tries

to tell Mother truth, but she
won't stop looking at her phone even

when he beats rhythm on her knee,
a banana leaf slapping sand MA-ma,

MA-ma. Everyone drove canoes
and ate pineapples. There was rain

and drums and I wish I lived back
then.
 I bend my knees to meet this child's

eyes. Oh, I remember the Tiki Days with all that
pineapple, rain and drums. Remember

the dancing? Like seaweed. Like dolphins. 
My hand undulates the horizon in

floating waves anyone can see except
his mother who yanks his arm. I remember

the Tiki Days too and those were the good old
days before kids.
 The boy resumes softly slapping

his mother's bare knee, back of his hand, open 
palm, swishing gently on her skin. In his rhythm, MA-

ma, MA-ma, MA-ma. He folds in 
upon himself, a kapa cloth with perfect

plaited corners, lays himself down in the bottom
of a koa canoe, pushes off to sail by the stars

you may only see in the dark.


Catherine Keefe is a California poet, essayist, and family story coach. She earned her MFA at Chapman University after spending years as a journalist. Her poetry has appeared in Split This Rock anthology compiled for the U.S. Congress and NRA to advocate for gun law change; TAB: The Journal of Poetry and Poetics; The Gettysburg Review and many others. Find more at www.catherinekeefe.com

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