SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Distances to Keep

My father taught me to play defense.
Like watching men on the street,
I map the distance to keep.

I saw the ball coming down the field
before it left the striker’s cleats,
like watching men on the street.

A chest will lean right to move left.
Track the body not the feet;
I map the distance to keep.

At half-time we ate orange slices,
tore riblets of fruit with our teeth—
like watching men on the street.

My father whispered: put your body
between the striker and the goalie.
I map the distance to keep.

He stormed the field in his head
as the silver sphere flew into the corner.
Like watching men on the street:

goalie alone at the net, post unfriendly,
and the net taking its fish, fresh scales in its fist.
I map the distance to keep.

Once at the beach, too far into the tide,
I couldn’t read the wave’s curled undertow,
like watching men on the street.

Once the silver dance of studs dazzled me
away. As if vigilance could hold back a wave,
like watching men on the street.
I map the distance to keep.


Natalie Staples grew up outside of Philadelphia. She received a B.A. from Kenyon College in 2014. After graduation, she served as an AmeriCorps member and Program Associate for The Schuler Scholar Program, a college access program in the Chicago area. She is an MFA candidate in Poetry at the University of Oregon. She has attended the Sewanee Writers’ Conference and the Bread Loaf Writers’ Conference. Her work has appeared in SWWIM Every Day. She is the Associate Poetry Editor for the Northwest Review.

An Elegy for Thousands

Cento for Sincerity (and all the other shit ppl disrespect)