SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

After binging MAY I DESTROY YOU in 3 days

Multiple things can be true at once. Like me,
still messing up the title of this show & it being
the best thing I’ve witnessed in years. Like me,

being a survivor, still being scared to say
the word rape, & it being the defining
experience of my 20’s. Would you believe me if

I said there’s life to live after loss? Would it make
sense to be serious yet less sympathetic to shittiness
after a 40-minute episode you have to talk about

during this week’s session of therapy? Before
I was a survivor I couldn’t have been a woman. Before
a tree drops its first set of acorns, some are already considered

rotten. Before I had queerness I was a kid, waiting
on all restroom stalls to be vacant before exhaling.
I remember nothing but the feeling after that forced,

compliancy apology. Hurt people hurt people
is a really weird way to say rape. I remember ditching
the scene, humming the anxiety away with a song. Maybe

MAY I DESTROY YOU feels more accurate to the experience.
Maybe the song in my most haunted memories sounds like
better run / to the ark / before the rain starts.


KB is a Black queer nonbinary miracle. They are the author of the chapbook How to Identify Yourself with a Wound (Kallisto Gaia Press, 2022), winner of the 2020 Saguaro Poetry Prize. Follow them online at @earthtokb.

Self Portrait, Collage

Marriage