SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

When Blood Flow to The Heart Slows, Stops

Our father knows all five of us
and shows he knows:

A hand, pressed. A nod acknowledging
each daughter here at last

as animals seek shelter in the cold,
as however lost or found we feel

or felt or will, we still seek home—
surviving selves in disembodied shells.

Chronos’s hand sweeps across
the moment kidneys fail. When blood flow

to the heart slows, stops—so
matter-of-fact. This is how we terrify

at symptoms from now on: each one
in light of layered diagnoses,

prismed in the glass, reflecting
on that sterile room,

our interrupted rhythms, who will come.
We listen as the nurse says

hearing is the last to go, and cling to this
as we whisper our testimonies.


Sarah Carey's work has appeared recently in Atlanta Review, Grist, Yemassee, UCity Review, Frontier Poetry, and elsewhere. Her book reviews of other poets' work have appeared in EcoTheo Review, Tinderbox Poetry Journal, and the Los Angeles Review. Sarah's poems have been nominated for the Pushcart Prize and the Orison Anthology. She is the author of two chapbooks, including Accommodations (2019) winner of the Concrete Wolf Chapbook Award. Visit her at SarahKCarey.com or on Twitter @SayCarey1.

Red Amaryllis

Self portrait as angelica