SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Not Every Body Is This Hard to Carry

Having a body is like dragging around
a huge purse, one of those satchel-sized leather
behemoths that holds everything you could possibly

need: wallet, change purse, sunglasses, pen, lip balm,
clear stream to sit beside, existential crisis, your dead
relatives’ voices, doggie poop bags. It’s all

in there but you have to root around
for your keys, and while you’re pawing through
you find other things you forgot you were carrying:

envelope with a friend’s address on it, white-flecked rock
you picked up because it was shaped like a heart.
The thing is fucking heavy, and for some of us

it just gets heavier, and then we discover
we can’t run with it, the corners
are soggy with pain, old to-do lists spill

from the top. The body begins to tear,
duct tape doesn’t help, it’s a struggle to keep
everything where it’s supposed to be. Suddenly

your crackling knees insist I am you and your mind
says Fuck off but then you remember you’re actually
inside the ginormous purse and oh-my-god there’s

the bike you rode at fourteen, hot wind in your face,
the turquoise ring you can no longer wear on your swollen fingers,
and at the very bottom a weedy path

you know you have to walk—you want
to walk—if you can just get it together, chivvy yourself
out of your chair, not always hopeful but alive, still alive.


Katherine Riegel is the author of Love Songs from the End of the World, the chapbook Letters to Colin Firth, and two more books of poetry. Her work has appeared in Brevity, The Gettysburg Review, The Offing, One, Poets.org, and elsewhere. She is co-founder and managing editor of Sweet Lit, and teaches independent online classes in poetry and creative nonfiction. Find her at katherineriegel.com.

Magnetic resonance imaging, Kirkland, 2012//Migraine, St. Paul, 2018

Last Bite