SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Stones in the Absence of Motherhood

 

Now I am on my knees,

my skirts lifted and I am starring at the foggy sea-air,

and now I am this shiver of salty water,

this tide-pool, this handful of asters dropped on the sand.

Another month’s blood past—

I look for my face along the waterline—jasper, agate, a peculiar

round umber.

Now I am this black stone, carved, curved, smooth as a bowl,

hollow as a hip-bone, now

this torn and bright blossom of yellowed kelp,

this briny-sea-rose. I was almost a vessel.

I swirl, I swerve—oceanic blue into the watercolor of ember-smoked sky.

And now I am lifted, as though I could fly

into the seam where fire meets sea, the sun rapturing her way

into gravity. I was almost a vessel. I am almost

an offering. Until the sealark rims the shore

crying—here is a parachute, come down,

calling—no baby here, come down.

In my hands these wet stones—

this heart-ache ship, this titanic—a spiny pottery

half floating, half sunken, bone-pretty—

still smoldering.



Anya Kirshbaum (she/her) is a queer poet and somatic therapist living in Seattle, Washington. Her work has appeared in The Comstock Review, Cirque, MER-Mom Egg Review, Crannóg, and Solstice Literary Magazine, among others. She was a finalist for the New Millennium Writing Awards, and was the recipient of the 2023 Banyan Poetry Prize.

 

How to Clean a Fish

When I think about us, I think about southern summers