SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Ars Poetica as Macramé

You are making
macramé at the kitchen
table. Along the long repository
of wood

you are darning your life.
At this table, in this hour
of making, your life
is a fixed hole

spilling, like waterfalls,
a crashing ping of knots,
a silence
where hitch knots accumulate

into flowers, where the knot
coils from its source, a knot without
a mother inside its head
saying, speak.

In another life,
you see yourself
emerging from a tunnel
—you pass your mother

(the echo of a train
remembered)—
on the iron rails, chugging
in the opposite direction.

She wants to tell you something.
She’s wildly gesticulating.
As from a dream, the words
garble, knotted in the throat.

Her hands puncture
the fabric of air.
She’s talking and the void
will not fill.



Ellen Kombiyil (she/her) is the author of two poetry collections, Histories of the Future Perfect (2014) and Love as Invasive Species (2024), a tête-bêche exploring matrilineal inheritances. Her visual art has been displayed at Emerge Gallery and is forthcoming in Bear Review, DIAGRAM, Quarterly West. She has new poems appearing or forthcoming in Sixth Finch, Cherry Tree, and Tahoma Literary Review. She currently teaches writing at Hunter College. See ellenkombiyil.com.

Sacred Treasures

cowboy [[hot]] :: horse-girl [[derogatory]]