SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Drawing Us Out

By the time I got to her breasts
she was thinking about doughnuts.
I was giving value to the underside
of her left nipple with light stippling
when hunger overtook her,
at least that’s what she said
during the break, casual in her robe,
gobbling the cookies Jen made.
Clark crosshatched the same area
with soft lead, his point dulling
from each mark he left to darken her.
Jen transformed the breasts
into two rounded squares—
very Botero, I thought, but didn’t say.
Her jealousy evoked a three-dimensionality
that made the tits look like they had a life beyond
the chest. I could do this all day, Paul thought
to himself as he used his finger to smudge
a well just where the breast and rib met.
As the model wiped a crumb from her lip,
Ivan admitted he’d been on her thighs
and a data-mining solution for work,
hence the tentative strokes,
just before the timer rang.
And Karen pitched in about troubles
with the feet which most people
rarely bother to depict.



Nicole Burdick is a Language Arts educator living in Ho Chi Minh City, Vietnam where ants now make their way into her poems more often. Despite the fact that people bless her for doing it, facilitating a thinking-is-fun environment about literature for teenagers is actually a dream job. She also paints abstract stories, collages broken tile, and cooks like she is from everywhere. Her poems can be found in Fence, The Ekphrastic Review, and elsewhere.

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