SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Inhibit

It is the anniversary of being
filled so full there was no space left
to fill. There are verbs to describe this:

hilted stuffed loaded thronged crowd.
It is not economic being
built to submit. To withstand to bear.

I can fit my whole fist in my mouth.
I can buy olive trees and name
the body held outside of the body:

an ocean a car a cello a mass of land.
The slowing or prevention of process,
a photograph of me giving the finger

to a photograph of Patti Smith in a mirror
also giving the finger. I am shy. I am shitty
I am afraid of formally naming the body that owns

a body of water a car a cello a celestial body
A you which is not real but an idea
of collection. Of possibility.

At night a bell rings in the top of a buoy
shaped like a lighthouse in a harbor
shaped like a fetus curled inside a womb.

What is real is compressed.
It is an anniversary, I buy
a star a whale a section of the ocean

I can name after my fears. Locate
them by measurement, numbers
with decimals and more numbers

after that, name them after
what I am not myself allowed
to touch in myself;

The wholeness of wine,
what is left on the palate,
the full resonance of sound.



Kate Sweeney is a poet. She holds an MFA from Bennington College and serves as Managing Editor for Pleiades Magazine. She is the recipient of the 2024 Adrienne Rich Award from Beloit Poetry Journal. Her poems and interviews have appeared or are forthcoming from Poet Lore, Michigan Quarterly Review, Poetry Northwest, and elsewhere. She is author of the chapbook, The Oranges Will Still Grow Without Us (Ethel 2021).

In a Past Life