SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Another Kind of Light

It's #tbt! In honor of our 10th anniversary, we are celebrating our staff members by re-running their work from SWWIM Every Day's archives!


At last and all of a sudden,
here it is: the afternoon to turn
summer’s last tomatoes,
some on the sill and others still
on the vine, into soup to freeze
for the months to come.

You take the chipped blue
bowl from the high shelf
and we head to the garden.
Overhead, what someone
called a buttermilk sky, sky
banking left from the long
bright days toward winter,
which is to say a mortal sky,
sky-sign of endings, death-
facing sky, lit still
with summer’s last syllables.
We fill the bowl again
and again with tomatoes
warm and heavy in their skins.

Later, we’ll listen
to what we can bear of the news,
and I’ll refuse the violence
that won’t end and must end
a place at the table
of this one poem
while the tomatoes burble
in their complex juices,
fragrant with the further
complications, complicities
if you will, of garlic
and rosemary.

We’ll look at each other.
It’s too much, you’ll say,
or I will—we take turns
like we used to tell the children
to do, and I lose track. Maybe
we’ll step outside where the early
stars will aver for the hundredth
time that the dark overtaking
the sky is another kind of light.
Though we’ll shake our heads
as always,
maybe this time we’ll pray
that somehow they know
something we don’t.



Catherine Abbey Hodges is the author of four books of poetry, most recently Empty Me Full (Gunpowder Press, 2024), and two chapbooks. Her first book, Instead of Sadness, won the 2015 Barry Spacks Poetry Prize; recent poems appear or are forthcoming in such venues as Narrative, Plume, SALT, Plant-Human Quarterly, Tar River Poetry, CALYX, and Birmingham Poetry Review. English Professor Emeritus at Porterville College, Catherine serves as an advisory editor for Anacapa Review and a staff reader for SWWIM Every Day. She writes, teaches privately, and collaborates with musician Rob Hodges on ancestral Yokuts land.

Our Mother is a Bird