SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Think θɪŋk

 

I am a rabbit in a thicket, a thick
patina of rust on a fire hydrant, a third

degree burn on a forearm which shielded
a face from worse—and I am crouching,

thighs coiled springs, ready to run hither and
thither, the third, the thirteenth, the thirtieth set

of thighs so sprung, like that sound just beyond
hearing—a Thompson submachine gun,

dealing death in the third-person.
What’s the difference between thick-skinned

and thick-witted in this landscape, anyway?
Thistle down floats by, something so soft,

pulled from the heart of something bristly
and bitter. That’s a metaphor, you know.

Thomas had to put his fingers in the seed pod
to feel the contradiction for himself.

Some things require first-hand validation,
no third party reporting, no theft of experience.

No one here gets to third base without
stealing second. It’s thirsty work and

only a thimbleful of whiskey lies in my palm.
This is where I remain. The cover

is thin. The urge to break and run
is unbearable. And dumb.


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Phoebe Reeves has an MFA from Sarah Lawrence, and is Professor of English at the University of Cincinnati. She has three chapbooks of poetry, most recently The Flame of Her Will (Milk & Cake), and one full length collection, Helen of Bikini (Lily Poetry). Her poems have appeared in The Gettysburg Review, Best New Poets, Forklift OH, and The Chattahoochee Review. She lives in Cincinnati with her husband Don Peteroy, amidst her unruly urban garden.

 

At Gossip the Lesbian Bar