SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Harvest

One way to listen to the city
is to choose one sound above the rest;

let the ear engineer a soundscape; let it 
glide across the crush of tender missions

at treacherous intersections, shun interlocked
brakes, fire smashed horns

from transplanted drivers; plunge against
the flow and attend the absence 

of the Muezzin’s call in the gloaming. 
Avenues drop rose-colored

light. I’ve been listening for the distant crow 
of a rooster someone’s keeping close

whose cry erases the tumult–the marriage
of soil in a raised box for root vegetables 

and the carrot of birdcall above the hum. 
Every prayer is a gentle wish for a time

machine; every wish a feathered freefall 
that robs the thanks from my lips; 

listen for the chicken someone
can’t keep secret and be glad.



Marion Wrenn is the author of Gladiola Girls (Cooper Dillon Press). Recent poems have appeared in American Poetry Review, River Heron Review, and The Georgia Review. She co-edits the literary journal Painted Bride Quarterly, where she also co-hosts the literary podcast "The Slush Pile." She is the Executive Director of Writing at NYU Abu Dhabi.

Audiometry