SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

hello to my triple chin

mom taught us
that bad things happen in threes
like us—me, the oldest—
the two of you, younger.
closer. I’d watch you both
as you fell asleep in the car,
your light eyes hidden,
protected; the only time
we look related. there wasn’t a parent
left to tuck me in, so I carried myself to bed,
climbed the spiraling staircase higher
and higher towards my bedroom.
I wanted to know how to fit in
with disappearing clouds.
nobody knew how to answer
but they knew how to demonstrate:
pots and pans flying in the kitchen,
clanking against painted walls, tile,
bone. I’m still watching, observing.
taking note. Wish I knew
how to stay high forever,
the apex of an object thrown
before it comes down too hard,
crashing. the clatter of borrowed time,
the mess of it all. I wish I knew
how to fight with both wrists straight—
a pen tracing a ruler.
But I’m free hand. I’m jazz, baby.
the lightning carving out a spot
in the pavement. some things
you never see but just know.
like meeting someone else
whose mother left them, too.



Jessica Ballen, MFA, is an AuDHD poet serving as Editor-in-Chief of Lunch Ticket Literary Magazine, Managing Editor of Defunkt Magazine, Senior Editor at Small Harbor Publishing, and guest editor for Frontier Poetry. Their work can be found in RHINO Poetry, Okay Donkey, and Ghost City Review (among others). Catch them compulsively posting on their Instagram stories @_j___esus, listening to dream pop with their four cats, and dancing in the Willamette River.

Cajole: A Brief History