SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Appointment

 

"What doesn’t / in time enter Grief’s lexicon?"
Danusha Laméris, “Glass”


The first time seeing a new doctor, one of the standard
questions is always How many children do you have? The one
I don’t know how to answer. The naked truth: four,
but one died seems like a blunt instrument, but three
feels like a lie. She notices that my pressure is up,
says she’ll come back for another reading, leaves me
beached in the cold white room. Adrift on an iceberg,
I remember how young I was, how nothing in the Lamaze
books prepared me for the nurse unable to find a heartbeat,
the doctor pretending there was nothing wrong. Until he couldn’t
anymore. What I was like afterwards: an empty shell. And
there were more questions: boy or girl? asked the cheerful
checkout girl at the local grocery; her bafflement when I
abandoned a week’s worth of groceries, unable to stutter
out an answer. And where is she now, my sweet
firstborn, the one I never held, never even got to see?
She swam inside the ocean of my body for nine short
months, safe and warm, but I failed to deliver her to the sandy
shore. Oh, my little starfish, I see you floating in the dark
night sky. Now I count my breaths, and a nurse returns, says
I’m back to normal. Which is, of course, impossible,
in this world without her in it.



Barbara Crooker is author of ten full-length books of poetry, including Some Glad Morning (Pitt Poetry Series), longlisted for the Julie Suk award from Jacar Press; The Book of Kells, which won the Best Poetry Book of 2019 Award from Poetry by the Sea; and Slow Wreckage (Grayson Books, 2024). Her other awards include: Grammy Spoken Word Finalist, the WB Yeats Society of New York Award, the Thomas Merton Poetry of the Sacred Award, and more.

 

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