SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Cardinal Signs

On learning I inherited
a biomarker for the disease
that felled my father,

I dream of tiny cardinals,
a plague invading
the house through a gap

in the wall. They swirl
and spawn, my bedroom
thick with red.

I thrash to catch them,
grasp at crimson fistfuls
like feathery fireflies,

trapping wingbeats
between hands clasped
in the shape of a heart:

a ribcage I crack
at the open window
to fling the infestation out,

forgetting they can fly.
As if this will kill them,
my favorite bird,

a salutation my dead
father sends. As if
this will save me—

but I was born
with a radiance of redbirds
in my blood, a brood

of drab and hardy females
roosting in my cells,
their nests already knit

inside.



Therese Gleason’s third chapbook, Hemicrania (Chestnut Review, 2024), won the 2025 Jean Pedrick Chapbook Award from the New England Poetry Club. Her other chapbooks include Matrilineal (Finishing Line, 2021), and Libation (2006), co-winner of the South Carolina Poetry Initiative Chapbook Competition. Gleason’s poetry, flash, and essays appear in 32 Poems, Cincinnati Review, Indiana Review, New Ohio Review, Pithead Chapel, Rattle's Poets Respond, and elsewhere. Originally from Kentucky, she lives in Massachusetts. See theresegleason.com.

We All Still Die