SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

The Great Before

 

We drive through lava fields to the Puʻuloa petroglyphs,
scream-singing “Wild Heart” and craning our necks toward pāhoehoe fields,

hot lava flows shaped into roping swirls of rock. Our kids,
somehow tweens, still wake us with nightmares, still find us funny
when we chase them around the house, yelling Pubertypubertypuberty!

We drive this empty road down the mountain, through craters and lava fields
going on forever, old eruptions hardened, new ones coming, steam building up unseen.

The country of eyerolls and talkback grows near, but for now, they’re still happy here,
no smartphones yet, no texting vacant-eyed selfies to friends. Distance from us
a future thing, too—like college and us pining for their voices, which just this morning

were whining and inescapable—them fighting over who sketched the better apple.
Later, we’ll be in our corners of the house on our screens.

I’ll want everyone to leave me alone, which is so often all I want.
Now, there they are in the backseat, grinning with smooth, pre-braces teeth,
and my daughter is beaming at me because we’re the ones who know every word,

we two share this secret code, and I’m craning my head back to grin at her,
and we’re singing together with our still-forming faces, with all our sweet unknowing.


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Emily Mohn-Slate is the author of The Falls, winner of the New American Poetry Prize (New American Press), and Feed, winner of the Keystone Chapbook Prize (Seven Kitchens Press). Her poems and essays can be found in AGNI, New Ohio Review, The Adroit Journal, CALYX, NELLE, and elsewhere. She teaches writing workshops for the Madwomen in the Attic, writes the "Be Where You Are" newsletter, and co-hosts the Ass in Chair Collective.

 

Love Stung