SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Modern Degas

 

It’s #tbt! Enjoy this great one from SWWIM Every Day‘s archives!


A knee joint, a bent elbow,
a spangled skirt—ballerinas passe
towards the floor, shoulders gleam
with the minutiae of anatomy;
Elegant as ever you sketched—

dancers in the dim light of a dressing room,
skin like cream and caramel, hollow
against spine, like horses paused
before the Kentucky Derby, prize stallions
of the Bolshoi Ballet.

No wonder you loved them all, Edgar—
muscles, feathered skirts and plumed
tails, the heave of chests, mist
and paw, the rise and fall of music,
gunshot, the hee-yaw! of a jockey—

you would have loved Messi too,
instep kick like a dancer on the soccer field,
rising a releve to the rhythm of his fans;
hearts stopped, tableau, the body
of work you left behind, ballerina and horse,

brush and charcoal, form and flesh,
Raymondo, Ronaldo, the sweat and swell
of delusions, dreams, a revelation
of what our bodies, our hands
might have been—



Adina Kopinsky is attempting to balance poetry, motherhood, and contemplative living. She is originally from Los Angeles and now lives in Israel with her husband and four sons. She has work published or forthcoming in Crannog, PANK, SWWIM Every Day, and Glass: A Journal of Poetry, among other publications. She is also a board-certified lactation consultant and a language editor at The Journal of Human Lactation.

 
 

Depression

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