SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Thérèse Dreaming

Scene
in some disarray,
its unfortunate
furnishing, the eye
in its studied
indifference.
Someone’s pawned
vases, upright, still
unbroken.
A cheap brown bench,
chipped. Portrait
of a room dominated
by subterranean
tones, unearthed. Here,
the cloth, crumpled,
as yet unstained. The table,
again, the bare
suggestion of chair,
of legs,
of seat. Unconscionable
turquoise, restless
on the pillow. I, too,
turn my face,
turn to muted
blue, almost lost
in bunched cloth.
Diminished
blue, retreating
to the underside
of thigh, fugitive
as childhood—what
of that? Gaze
seeking the buried
eye, evading
its disrobing. The
most penetrative
vision falters before
those lids, sealed
to prying.
Whatever
is behind the looking
away, the mind
finds its own,
open, bloom.


Lenore Myers’s poems and essays have appeared in Southern Indiana Review, LIT, The Massachusetts Review, The Southern Review, and elsewhere. Her first book, Afterimages, will come out in 2026 from Sixteen Rivers Press. She lives in Northern California, where she teaches ESL, Citizenship Preparation, and writing. For more information, see lenoremyers.com and @lenimo.bsky.social.

Herd Mentality