SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.
Francesca Woodman (1958-1981), daughter of artists, jumped from a Manhattan rooftop during a struggle with depression. She gained posthumous fame for her innovative photography of the body.
Your mother worked steadily in the wake of your death, peasant feet in painted slippers. Shocked from function to form, she blanketed a wall in Beijing with pottery birds suspended in flight.
Your father abandoned abstraction, clinging to the women he shuttered. He clicked on a tattoo, kohl-rimmed zero. The back of the model exposed by her checkered schoolgirl uniform stared at him, aperture of failure.
You—figure in the yellow wallpaper blur of beautiful body and shadow Eros with singed feathers and wild Psyche Icarus with designer wings, fallen. No ID but your polka dot dress and your face, unrecognizable.
Angele Ellis's work has appeared on a theater marquee, in a museum, and in over ninety publications. She won a fellowship from the Pennsylvania Council on the Arts for poems on her Arab American heritage from her first collection, Arab on Radar (Six Gallery). She also is author of Spared (A Main Street Rag Editor's Choice Chapbook) and Under the Kaufmann's Clock (Six Gallery), a poetry and fiction hybrid inspired by her adopted city of Pittsburgh.
Angele Ellis is author of Under the Kaufmann’s Clock (Six Gallery), a hybrid prose-poetry tribute to her adopted city of Pittsburgh with photographs by Rebecca Clever; Spared (A Main Street Rag Editors’ Choice Chapbook); and Arab on Radar (Six Gallery), whose poems won her a fellowship from the Pennsylvania Council on the Arts. She is a contributing editor to Al Jadid Magazine.