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After Rainer Maria Rilke, The Book of Hours (III, 33)
He came forth like a new beginning. A portent, a fevered dream, an ultimatum. Even asleep I knew how momentous it was, that confrontation of ours between blossom and rot. You’ll say it’s a lie, but in the years after, the shoebox under my bed filled up with blue, wet-bird letters from God. He’d been sending them down and across the borders of thought. What could I possibly do? I took them all in. The first one burst open. I buried it in the sod under clouds like blimp mailboxes pouring rain. A river rushed through my mouth: cold and green. Each letter was written in cursive sadness only. He told me how there was so much promise in pain— the one faithful thing certain to make us less mean, or grant what we wished for: to have been happy, unhappy, insane or not, to have been lonely, to have been.
Romana Iorga is the author of Temporary Skin (Glass Lyre Press, 2024) and a woman made entirely of air (Dancing Girl Press, 2025). Her poems have appeared in various journals, including New England Review, RHINO, and The Nation. She lives with her husband and children in Lausanne, Switzerland.
Somewhere on the outskirts of the body the gulls are trying their wings on gusts of wind. Somewhere the foghorn announces danger at low tide and billows break over hidden rocks the way sleep breaks over the submerged cliffs of consciousness.
I spill into the world all anew, carried forth by the amniotic gush of half-dreamed words. No newborns are ugly, though some of them turn out more handsome than others. But who’s to profess judgment, when we all are sinking lead, bait for what lurks beneath, when the line we hold in our hands leads directly to the beast?
The morning is yielding its foggy pastels to brighter tempera. Soon, I will slip into familiar skin, utter the names of these almost forgotten alleys of veins and arteries, learn to inhabit again the labyrinth of my body.
Originally from Chisinau, Moldova, Romana Iorga lives in Switzerland. She is the author of two poetry collections in Romanian, 'Poem of Arrival' and 'Simple Hearing.' Her work in English has appeared or is forthcoming in The Normal School, Cagibi, Washington Square Review, PANK, and others, as well as on her poetry blog at clayandbranches.com.