All in by Violeta Garcia-Mendoza
  
  
  
  
  
  
    
    
      
      
      
        
        
        
          by Violeta Garcia-Mendoza
What does it mean that I’ve been dreaming 
about sunlight moving through old houses   
again? Vine-shadow on wood floors, endless  
rooms, the sound of wingbeats without birds.  
Pittsburgh wisdom says you need a week in Florida  
when you can’t get out of bed. I up or down   
my dose of antidepressants when the clocks change.  
In the dreams, I wear a white dress, dust dragged   
along its hem. The houses are dis-inhabited  
but I know I’ve lived in some version of them.   
In real life I try to leave the past empty, open;  
a good mother haunts her life only in forward motion.   
When the nerves at my right hip shriek down my leg,  
I know it means my body needs to stretch.  
I should exercise, drink more water, rest— 
but I get through winter reading Gothic horror;  
I trust myself with only so much selfishness. 
In this city, potholes become a sign of character   
as much as of neglect. I remind my children all is still well  
when the bridges sway. In traffic, we count turkey vultures   
circling in the steel gray and call it soaring. 
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Violeta Garcia-Mendoza is a Spanish-American poet, teacher, and suburban wildlife photographer. Her poetry has appeared in numerous literary journals, and in 2022, she received a grant from the Sustainable Arts Foundation. She is a member of the Madwomen in the Attic Writing Workshops at Carlow University. Violeta lives with her husband, teenage children, and pack of rescue dogs on a small certified wildlife habitat in western Pennsylvania. Songs for the Land-Bound is her debut collection.
 
     
  
    
    
      
      
      
        
        
        
          by Violeta Garcia-Mendoza
In the past sixty minutes, the mother-poet 
has not written a dozen lines. Her resting 
heart rate crests 119 beats per minute 
twice a day, on average. This began in 2020; 
it is 2022. Of her three children, one kicks 
the table leg every seven seconds, another 
counts songbirds in the quarter-acre yard aloud, 
a third reads from a book of little-known statistics: 
The safest color car is white; two out of five 
people marry their first love; a woman 
is more likely to be killed by a champagne cork 
than a shark. In her inbox, a litmag says 
no thanks, but send more poems. In other news, 
a Japanese amusement park advises patrons scream 
inside their hearts. Sea level rise holds steady 
at one-eighth of an inch per year. Four out of five 
surveyed Americans are likely to describe the sun 
as shining. It is almost dinnertime; no trains 
leaving the station. There are over 10 trillion living 
cells in every human body. Based on this set 
of data calculate the future probable 
with a single roll of one icosahedron die.
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Violeta Garcia-Mendoza is a Spanish-American poet, writer, photographer, and teacher. She is a member of Carlow University’s Madwomen in the Attic Writing Workshops and a reader for Split Rock Review/Press. Her work has recently appeared or is forthcoming in Peatsmoke, District Lit, and Saint Katherine Review. Violeta lives with her family in Western Pennsylvania.